Title: Weeranay Mai’n Shor (Sound in Solitude), 2025..
Medium: Charcoal on paper..
Size: 15 x 73 inches (natural wood frame).
My practice is rooted in exploring Pakistan’s railway stations built during the British Raj and the experiences they hold. One can step back in time and sense a quiet timelessness. I see the railways as sites of constant life and movement, where everything seems to flow into one continuous rhythm. Through drawing, I respond to this liveliness; the rhythm of travel, the shifts between stillness and motion, and the subtle ways in which humans interact with time within these spaces.
